So recently, my sister Jane performed one of the internet's cardinal sins and forwarded me an Unsubstantiated Public Service Announcement E-mail on the dangers of microwaving food in plastic containers. Naturally, being the good netizen that I try to be, I turned to Snopes to find the real story. I read the Snopes article, thought to myself: "Well, that little internet tidbit is clearly false", replied to my sister with the link, and smiled the smug smile of self-satisfaction one can only experience after lazily denouncing someone's valid attempt at discourse.
"Jane should know better than that", I thought, upon receiving the message. And maybe she should have. But I had fallen into a now-common trap that can blind even the very reasonable internet visitors among us, and certainly those more prone to tell people when they've done something "wrong" or stepped beyond the ephemeral bounds of netiquette (and there is no shortage of those—in fact, there are websites dedicated exclusively to telling people they're wrong; also, the comments on places like Digg are full of examples of people telling each other they're wrong in really awful ways).
My point is that Jane's chain e-mail activated my critical reflex, but I allowed Snopes to shut the reflex down, because I accept that site as a Reputable Depot for Information on Scams and Frauds and Unsubstantiated or Far-Fetched News Stories. It's not that I don't actually trust Snopes; even in this case, it's clear that the message itself is a fraud. But I had a reality check when I watched an episode of CBC's Doczone called "The Disappearing Male" that was about how certain chemicals which are widely used in plastics and other consumer products appear to be causing damage to the reproductive organs of male fetuses and eventually fertility problems in babies, boys, and men. The documentary presents strong evidence from numerous independent studies that this is in fact the case, and these chemicals—bisphenol-A (BPA) and phthalates—are extraordinarily dangerous, but at the same time points out that the United States Food and Drug Administration and other public bodies—guardians of the public health all—have preferred to rely on industry-sponsored studies for their judgments and recommendations about these chemicals (remember the tobacco debates?). The point being that Snopes defers to the FDA on the matter, and, usually, I would be suspicious of the government in any matter like this.
The Snopes article then goes on to quote a presumably reputable doctor advising: use plastics "specifically meant for cooking" if you must, because "whenever you heat something you increase the likelihood of pulling chemicals out", but it's best to cook with glass, ceramics, or stainless steel (obviously not the latter in the microwave, no matter how curious you might be). In other words, if not quite refuting, then certainly diluting the claim that plastics are safe for microwave (or general) use. This particular Snopes article is strange actually, because it tries to present a balanced view by debunking the form of the message (the fraud disguised as a PSA), but offering another side of the content of the message (the grain of truth in the fraud)—which is fine—but it seems to me that the researchers were maybe more interested in shooting down another bit of presumed internet nonsense rather than providing a public service. I think Snopes too fell prey to the same internet arrogance that prevented me from taking that next critical step.
Anyway, I recommend you watch "The Disappearing Male" and take a look at where these chemicals are around you. Canada recently banned the use of bisphenol-A in baby bottles, where it was very common, but they remain in all sorts of products and in the environment at large. From the Doczone page: "Found in everything from shampoo, sunglasses, meat and dairy products, carpet, cosmetics and baby bottles, they are called 'hormone mimicking' or 'endocrine disrupting' chemicals and they may be starting to damage the most basic building blocks of human development."
So, sorry Jane! I still don't like chain e-mails, but I'll pay better attention next time, and not be so quick to judge.
Read on..!
Tuesday, 16 June 2009
Saturday, 9 May 2009
The second stew was good, but not as good as the first
In the likelihood you don't know what that strange code means, look here.
Read on..!
Labels:
miscellaneous,
stew
Thursday, 30 April 2009
Stews
Hey, I've been really into cooking stews with leftovers lately. Don't knock it till you've tried it; it's a blast! The first one was really delicious, partially thanks to Danijela's Mum who cooked the lamb. The second I'm just waiting to eat now, so I'll have to let you know. I've tasted it quickly, and I just don't want to judge it until it's in my bowl.
Well, I thought I'd share these two wonders with you, so take a look.
Here is the recipe for a stew I made today. It's called, What's left over in the fridge after making a stew with most of what's left in the fridge.
First, in order of their appearance in my memory, the ingredients:
1/2 small tin month-old tomato paste
15 medium-sized collard leaves sliced
4 old grape tomatoes sliced
1 tsp Italian herb blend of unknown provenance (packet two)
1 tsp paprika
2 cups organic wheat macaroni
1 medium eggplant
1 tbsp olive oil
1/2 medium Slovenian sausage
4 pieces artichoke hearts in oil sliced
sun-dried tomatoes in oil
romano cheese
1 cup frozen peas
1 tsp freshly ground pink rock salt
1 tsp freshly ground pepper
2+ cups direct-from-tap water
1 small brown onion finely chopped
3 small cloves garlic pulverized
1/2 tsp hot pepper flakes
And their order of appearance in the large iron pan:
Oil, onion, garlic, tomato paste, water, eggplant, herbs, hot pepper, collards, water, sausage, paprika, artichoke, grape tomatoes, pepper, salt, peas, water, three-quarters-cooked macaroni, water. Cook until pasta is ready. Sprinkle cheese after dishing into pasta bowls. Place sun-dried tomatoes at side of bowl.
Here is what I remember from a stew I made a few days ago. It's called Leftover lamb stew
Ingredients, in order blah blah blah:
300 g chunk leftover roasted lamb (courtesy of Mara Pruginic)
3 cups tap water
10+ medium large leaves collards (with most of stems)
1/2 tsp cumin seed
1/2 tsp Italian herb mix of unknown provenance
2 small bay leaves crushed
540 mL tin chick peas rinsed
2 medium brown onions
2 very vine-ripened tomatoes
1/2 Slovenian sausage
freshly ground salt and pepper
1 tbsp olive oil
1/2 cube organic chicken stock
6 good stems once-fresh parsley
Corn meal as much as you like!
1/2 tsp sage
Same pot, different day. Oil, onion, cumin, tomatoes, sausage, collards, lamb, herbs, sage, salt and pepper, bay leaves, parsley, chick peas, stock. Cook until done. Serve with pollenta in bowl.
I hope the one from today is as good as the previous one. I'll let you know.
Read on..!
Well, I thought I'd share these two wonders with you, so take a look.
Here is the recipe for a stew I made today. It's called, What's left over in the fridge after making a stew with most of what's left in the fridge.
First, in order of their appearance in my memory, the ingredients:
1/2 small tin month-old tomato paste
15 medium-sized collard leaves sliced
4 old grape tomatoes sliced
1 tsp Italian herb blend of unknown provenance (packet two)
1 tsp paprika
2 cups organic wheat macaroni
1 medium eggplant
1 tbsp olive oil
1/2 medium Slovenian sausage
4 pieces artichoke hearts in oil sliced
sun-dried tomatoes in oil
romano cheese
1 cup frozen peas
1 tsp freshly ground pink rock salt
1 tsp freshly ground pepper
2+ cups direct-from-tap water
1 small brown onion finely chopped
3 small cloves garlic pulverized
1/2 tsp hot pepper flakes
And their order of appearance in the large iron pan:
Oil, onion, garlic, tomato paste, water, eggplant, herbs, hot pepper, collards, water, sausage, paprika, artichoke, grape tomatoes, pepper, salt, peas, water, three-quarters-cooked macaroni, water. Cook until pasta is ready. Sprinkle cheese after dishing into pasta bowls. Place sun-dried tomatoes at side of bowl.
Here is what I remember from a stew I made a few days ago. It's called Leftover lamb stew
Ingredients, in order blah blah blah:
300 g chunk leftover roasted lamb (courtesy of Mara Pruginic)
3 cups tap water
10+ medium large leaves collards (with most of stems)
1/2 tsp cumin seed
1/2 tsp Italian herb mix of unknown provenance
2 small bay leaves crushed
540 mL tin chick peas rinsed
2 medium brown onions
2 very vine-ripened tomatoes
1/2 Slovenian sausage
freshly ground salt and pepper
1 tbsp olive oil
1/2 cube organic chicken stock
6 good stems once-fresh parsley
Corn meal as much as you like!
1/2 tsp sage
Same pot, different day. Oil, onion, cumin, tomatoes, sausage, collards, lamb, herbs, sage, salt and pepper, bay leaves, parsley, chick peas, stock. Cook until done. Serve with pollenta in bowl.
I hope the one from today is as good as the previous one. I'll let you know.
Read on..!
Saturday, 25 April 2009
Stuff I've read
In an effort to: a) keep my online presence reasonably up to date; b) justify all of my general interest reading; and c) possibly offer something of value to my friends' lives; I present my first collection of random tit-bits from the World Wide Web.
Communications — First, more news that big business is conspiring to keep consumers in the dark about something that in theory could ruin their profits. It's misinformation and omissions, though; sorry, no uncovered conspiracy (yet). Better still, it's from that paragon of meaningful reporting, London's Daily Mail. The painful truth about trainers: Are running shoes a waste of money?
Arts — This tit-bit is just cool. Art for a Dollar
Science — This is the story of an archivist at NASA who almost single-handedly saved the thousands of images taken by the earliest lunar orbiters, basically against the institutional wishes of her employer, and at some significant sacrifice to herself. I find the story almost as extraordinary as the pictures. NASA's early lunar images, in a new light
Environment — This is just obvious, but sometimes it's okay to beat people over the head just a little bit. Bottled Water Carries Hidden Cost to Earth
Arts — I originally had another link to this, but it didn't show all of the images, so I chose the source instead. Aren't you lucky? Yes. International Garden Photographer of the Year Finalists
Read on..!
Communications — First, more news that big business is conspiring to keep consumers in the dark about something that in theory could ruin their profits. It's misinformation and omissions, though; sorry, no uncovered conspiracy (yet). Better still, it's from that paragon of meaningful reporting, London's Daily Mail. The painful truth about trainers: Are running shoes a waste of money?
Arts — This tit-bit is just cool. Art for a Dollar
Science — This is the story of an archivist at NASA who almost single-handedly saved the thousands of images taken by the earliest lunar orbiters, basically against the institutional wishes of her employer, and at some significant sacrifice to herself. I find the story almost as extraordinary as the pictures. NASA's early lunar images, in a new light
Environment — This is just obvious, but sometimes it's okay to beat people over the head just a little bit. Bottled Water Carries Hidden Cost to Earth
Arts — I originally had another link to this, but it didn't show all of the images, so I chose the source instead. Aren't you lucky? Yes. International Garden Photographer of the Year Finalists
Read on..!
Labels:
art,
internet,
miscellaneous,
news
Wednesday, 4 March 2009
Updating things
Hey, I'm just changing things around here--that's partly why I haven't been updating at all. I've also been extremely busy, and have just come down with a cold. (I thought I was home free for this winter!)
Anyhoo, I hope to be done in a couple of weeks and then I'll try to return to my previous erratic schedule of updates.
Until then, you can see what I'm doing on Facebook, also HRinfodesk.com.
Peace and love! Read on..!
Anyhoo, I hope to be done in a couple of weeks and then I'll try to return to my previous erratic schedule of updates.
Until then, you can see what I'm doing on Facebook, also HRinfodesk.com.
Peace and love! Read on..!
Saturday, 7 February 2009
Dot—Chapter 1
1.
As
the
ship
lifted
she
began
to
feel
for
the
first
time
just
how
desperately
the
Earth
covets
its
creations. Read on..!
As
the
ship
lifted
she
began
to
feel
for
the
first
time
just
how
desperately
the
Earth
covets
its
creations. Read on..!
Labels:
dot,
fiction,
the future
Thursday, 29 January 2009
Sports: the Band, with Hexes and Ohs, Green Go, and others at the Tranzac, January 10, 2009
A Saturday afternoon in winter is a surprisingly fun time to see a show. And it feels pretty good to support local scenesters, such as the good folks behind The Singing Lamb, a new music blog based in Toronto—er, a new Toronto-based blog about music. And the show was five dollars, what!
It was thanks to Facebook that I heard about Hexes & Ohs playing at the Tranzac; even better, they were playing with Sports: The Band, which features friends Shayne "Extra Large" Cox and Nathan "Home" Rekker, as well as Michael Small of The Meligrove Band and Robin Hatch (both of whom I'm sure are equally deserving of meaningless but clever nicknames, but I'm not sure that's appropriate for people I only know through others).
According to their Facebook page, and their preview in the Eye Weekly (I think), Sports is a vehicle for Nathan's songwriting. I'd never heard any of his songs, but I know that Shayne has great taste, and is a great performer himself, so I was anxious to see them. Luckily I know how rock'n'roll shows work, and I got there just in time for their delayed 1:30 start.
So, once again I've been amazed at a friend's band, particularly one that I've waited ages to see and hear. I'd made half-hearted attempts to see them in the previous few months, but it just hadn't happened—not surprising, knowing me. Anyway, I saw them this time; that's what counts.
It's a great sign when a band makes me smile, because that usually means they're doing something I haven't heard before—in some way, the songwriting or performance stands out. That happened pretty much throughout Sports' set.
For someone of my age and taste, I think it should be hard not to hear a certain mid-1990s North American indie aesthetic in their sound, but I would have a hard time pinning it down to specific bands. mostly it was the simple, but slyly innovative song structures, the clever lyrics, and the confident and nonchalant performance. But now that I've forever painted them with my 90s brush, I have to make it clear it would be a real shame to say that Sports are some sort of 90s revivalist band—frankly, the idea of such a thing sounds awful! It's just interesting to see some uncommon influences displayed—unlike, for example, with the next band at the show.
All of that said, Sports are clearly a product of now; they just don't bother with all of the new-new wave post-post punk electro nonsense, like so many others. As a musician, I'm always watching and listening for the little things—changes, motions, chords—that make a band or individual band member stand out. With Sports it was all about ease. They just write and perform excellent pop-rock songs, with little fanfare, good energy, big smiles, and a healthy dose of noise. I like that—a lot.
Green Go performed next, and if I had no idea what to expect from this young group, I learned quickly enough. The five-piece band immediately pounced into a set of driving dance pop, and the crowd responded, doing their best to make 2:30 in the afternoon seem like 11:30 at night.
These folks didn't show me anything that I haven't heard before from the Rapture, controller.controller, Hot Chip, the Arcade Fire, or others, but that doesn't mean they weren't good. They didn't exactly sound like those bands, I just didn't achieve the same amount of smiles as with Sports—in fact, none, until near the end of the show.
The thing is, this is new music today, and Green Go are not afraid to say it. Anyway, this band is young. With luck—and these guys (and girl) seem plenty talented and energetic—they will move beyond the simple self-referentiality of the present, to the hyper-self-referentiality of the near future, and create something new from within themselves. I hope they do, because despite the lack of sly smiles, I enjoyed their show very much.
The only thing that bothered me was the instrument-switching that they did too frequently. It's a time-consuming, distracting, and almost certainly totally unnecessary gimmick that takes away from the energy of the show. Still, the show consisted of pretty much all live instrumentation, which is better than I can say for Hot Chip when I saw them a couple of years ago.
As for Hexes & Ohs, I've heard the hype over the past couple of years, and I tried to find some of their music early on—without actually, you know, going to a record shop—to no avail. So I went to the show knowing only what I'd read, which wasn't much more than a piece in the Star a couple of days before: basically, they're a two-piece electronic pop band from Montréal who are also a couple. And they have a cute name.
But for all the hype, I was expecting better than I got. Their songs were fine—some of them even verging on good—but their performance was weak. I simply find it uninteresting to watch two people play over canned beats and music. That might fly at a dance party, but not at a rock show; and certainly not in the afternoon. Also, maybe they were off that day, but it seemed that neither of them could sing very well: the lead whined, and the harmonies were flat. I'll probably just sound bitter if I mention that they had some technical problems, and, like Green Go, they switched instruments too often.
Somehow, remarkably, these negatives didn't add up to an awful show, which they probably should have; so I must give them credit for that, whatever it means. I did enjoy the show overall, but it wasn't good. I'll have to reserve judgment on Hexes & Ohs until I hear some recordings, but I won't be looking out for them to return to Toronto.
Also at the show were Maylee Todd and Winter Gloves, but I didn't watch them, so I'm not about to review them, am I? Read on..!
It was thanks to Facebook that I heard about Hexes & Ohs playing at the Tranzac; even better, they were playing with Sports: The Band, which features friends Shayne "Extra Large" Cox and Nathan "Home" Rekker, as well as Michael Small of The Meligrove Band and Robin Hatch (both of whom I'm sure are equally deserving of meaningless but clever nicknames, but I'm not sure that's appropriate for people I only know through others).
According to their Facebook page, and their preview in the Eye Weekly (I think), Sports is a vehicle for Nathan's songwriting. I'd never heard any of his songs, but I know that Shayne has great taste, and is a great performer himself, so I was anxious to see them. Luckily I know how rock'n'roll shows work, and I got there just in time for their delayed 1:30 start.
So, once again I've been amazed at a friend's band, particularly one that I've waited ages to see and hear. I'd made half-hearted attempts to see them in the previous few months, but it just hadn't happened—not surprising, knowing me. Anyway, I saw them this time; that's what counts.
It's a great sign when a band makes me smile, because that usually means they're doing something I haven't heard before—in some way, the songwriting or performance stands out. That happened pretty much throughout Sports' set.
For someone of my age and taste, I think it should be hard not to hear a certain mid-1990s North American indie aesthetic in their sound, but I would have a hard time pinning it down to specific bands. mostly it was the simple, but slyly innovative song structures, the clever lyrics, and the confident and nonchalant performance. But now that I've forever painted them with my 90s brush, I have to make it clear it would be a real shame to say that Sports are some sort of 90s revivalist band—frankly, the idea of such a thing sounds awful! It's just interesting to see some uncommon influences displayed—unlike, for example, with the next band at the show.
All of that said, Sports are clearly a product of now; they just don't bother with all of the new-new wave post-post punk electro nonsense, like so many others. As a musician, I'm always watching and listening for the little things—changes, motions, chords—that make a band or individual band member stand out. With Sports it was all about ease. They just write and perform excellent pop-rock songs, with little fanfare, good energy, big smiles, and a healthy dose of noise. I like that—a lot.
Green Go performed next, and if I had no idea what to expect from this young group, I learned quickly enough. The five-piece band immediately pounced into a set of driving dance pop, and the crowd responded, doing their best to make 2:30 in the afternoon seem like 11:30 at night.
These folks didn't show me anything that I haven't heard before from the Rapture, controller.controller, Hot Chip, the Arcade Fire, or others, but that doesn't mean they weren't good. They didn't exactly sound like those bands, I just didn't achieve the same amount of smiles as with Sports—in fact, none, until near the end of the show.
The thing is, this is new music today, and Green Go are not afraid to say it. Anyway, this band is young. With luck—and these guys (and girl) seem plenty talented and energetic—they will move beyond the simple self-referentiality of the present, to the hyper-self-referentiality of the near future, and create something new from within themselves. I hope they do, because despite the lack of sly smiles, I enjoyed their show very much.
The only thing that bothered me was the instrument-switching that they did too frequently. It's a time-consuming, distracting, and almost certainly totally unnecessary gimmick that takes away from the energy of the show. Still, the show consisted of pretty much all live instrumentation, which is better than I can say for Hot Chip when I saw them a couple of years ago.
As for Hexes & Ohs, I've heard the hype over the past couple of years, and I tried to find some of their music early on—without actually, you know, going to a record shop—to no avail. So I went to the show knowing only what I'd read, which wasn't much more than a piece in the Star a couple of days before: basically, they're a two-piece electronic pop band from Montréal who are also a couple. And they have a cute name.
But for all the hype, I was expecting better than I got. Their songs were fine—some of them even verging on good—but their performance was weak. I simply find it uninteresting to watch two people play over canned beats and music. That might fly at a dance party, but not at a rock show; and certainly not in the afternoon. Also, maybe they were off that day, but it seemed that neither of them could sing very well: the lead whined, and the harmonies were flat. I'll probably just sound bitter if I mention that they had some technical problems, and, like Green Go, they switched instruments too often.
Somehow, remarkably, these negatives didn't add up to an awful show, which they probably should have; so I must give them credit for that, whatever it means. I did enjoy the show overall, but it wasn't good. I'll have to reserve judgment on Hexes & Ohs until I hear some recordings, but I won't be looking out for them to return to Toronto.
Also at the show were Maylee Todd and Winter Gloves, but I didn't watch them, so I'm not about to review them, am I? Read on..!
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